A Hermit's Wild Friends; or, Eighteen Years in the Woods — Reading Companion
Edition facts
Before opening A Hermit's Wild Friends; or, Eighteen Years in the Woods — Reading Companion, the edition data offers a quick orientation: 55,295 words, 4 hr 1 min estimated reading time, and 22 detected text sections.
The text analysis averages about 17.3 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Animal behavior,” connecting these edition facts with the source record’s subject description.
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Read the Text
Nature was performing wonders where medicine had failed.
Before the month of September had ended, my catarrh disappeared, and I no longer had use for the douche. From that time to this, I have been free from catarrh. I do not have even the symptoms, known as hay-fever.
The dull, heavy pain that I had experienced constantly from dyspepsia, gradually sub sided and eventually ceased. Since that time I have been able to eat any kind of food, at any time, day or night, without the depressing pains of indigestion.
During my first experience, climbing Bond's Hill, on my return from the city, had been almost beyond my strength. I had to rest three times before reaching my tent. By the middle of November my strength had returned nearly to the old standard, and I mounted the hill without a thought of weariness.
Standing one day on a massive spur of bed rock, near my tent, my thoughts went back to the statement of the doctors in relation to my lungs. I had just ascended the hill, without a long breath, and a hale, hearty feeling pervaded every fibre of my system. I knew, then, that my lungs were all right, and thanks to Nature, I had recovered my health and stood there comparatively a well man.
While I was yet weak, I passed many hours at the Eyrie, entranced by the magnificent panorama spread before me. I could see the larger part of the city of Gloucester, which extended, in a semicircle, from Riverdale to Eastern Point.
Later in the season I watched the ebb and flow of the tide on the marshes that border Annisquam River.
The Outer Harbor, with Ten Pound Island near the entrance of the Inner Harbor, lay in plain view, and the shifting scenes on its restless waters possessed a fascination which I could seldom resist.
Day after day I watched the vessels of the fishing fleet as they rounded Eastern Point, bound outward or inward. These vessels were models of beauty, and looked as if they were built for racing instead of fishing. I often compared them with the clumsy coasters that rode at anchor in the Outer Harbor.
Now and then a vessel, homeward bound, rounded Eastern Point with her flag half-mast. Mute reminder of the hardships and perils of a fisherman's life.
Every morning soon after it had become light enough to see, several boats could be seen rowing shoreward. Usually there was only one man to a boat. It did not take me long to find out that these lone rowers coming in out of the night were fishermen that pulled their lobster-pots after one o'clock in the morning. I saw another lone fisherman sail out of the harbor every morning when there was wind enough to fill a dory sail. Day after day he sailed or rowed out to sea to fish for shore codfish. He supported a large family from the proceeds of his labor, but the life was lonely and perilous. I watched his return once when the wind was blowing a fierce gale. The little boat would careen until the sail trailed in the water and it seemed to me that she must capsize. At the last moment she would come up into the wind and right. In this slow, dangerous manner she was worked to the mouth of Annisquam River and tied up above the Cut Bridge. The next day I asked the fisherman how he had managed to keep his boat right side up. "Oh, that was easy. When she heeled too much, I _shook her up_, and kept her from taking in water." "_Shook her up_," was a new phrase to me.
Below my Eyrie lay the little hamlet called the Cut. Some of its cottages had straggled up to the base of the cliff just below the tent.
I could look down on a long stretch of Western Avenue beginning at the Cut and ending in Ward Five, beyond the Cut Bridge. The latter was a drawbridge, and when open the city of Gloucester was on an island, with the exception of Ward Eight, which lies on the west side of Annisquam River.
I had located in Ward Eight, but at the time did not know anything in relation to its size, as compared with the other wards of the city. A glance at the map in the city directory showed me that Ward Eight was larger in area than all the other wards combined. I also found that it comprised within its limits the Cut, Fresh Water Cove, West Gloucester, and Magnolia. It pleased me much to find that it contained about twelve thousand acres of shrub land and forest.
Walton opens his narrative with a bold note: he claims to have discovered several new features in natural history, including that the cow-bunting watches over its young, the white-footed mouse is dumb and communicates by drumming with its toes, and the chickadee can count. These assertions set the tone for a work that blends personal anecdote with a self-conscious challenge to established ornithology and zoology. The catalog subjects list "Animal behavior" and "Zoology," but the excerpts reveal a text that is as much about the observer as the observed—Walton's hermit identity and his eighteen-year tenure in the woods are central to his authority.
A Hermit's Claims vs. Catalog Subjects
The catalog assigns this work to "Animal behavior" and "Zoology," yet the excerpts show Walton foregrounding his own role as a discoverer. In his note, he lists six specific claims—cowbird parenting, mouse drumming, wood-thrush singing schools, chickadee counting, dwarf shadbush, and red squirrel farming—and preemptively defends them against critics. This is not a detached scientific treatise but a personal testament. The chapter titles, such as "Satan the Raccoon" and "Bismarck, the Red Squirrel," suggest narrative portraits rather than systematic study. Readers expecting a conventional zoology text will find instead a memoir of prolonged, intimate observation, where the hermit's lifestyle is the method.
The Texture of Daily Observation
Walton's prose is grounded in specific, sensory detail. He describes spring everlasting by its scientific name, Antennaria plantaginifolia, noting that "scores of woodland ramblers bring it to me and ask its name." He distinguishes poison-ivy from woodbine by leaflet count and climbing method: "Poison-ivy has three leaflets, and the woodbine has five." His account of the "Brave Old Road" personifies the landscape, listing the animals that use it by night and the birds that nest by day. These passages reveal a writer who moves between precise botanical description and lyrical appreciation, often addressing the reader directly. The excerpts do not confirm whether Walton's more extraordinary claims are supported by later chapters, but they show a consistent pattern of close watching and a desire to share what he has seen.
The Limits of the Excerpts
The provided text includes Walton's introductory note, the table of contents, and a section on wildflowers and plants, but only fragments of the animal chapters. From these, we cannot verify his assertions about cowbird behavior or mouse communication. The catalog also lists "psychology" as a secondary topic, but the excerpts do not show any explicit psychological framework—only Walton's personal interpretations. Readers should approach the work as a hybrid: part natural history, part autobiography, part polemic. The full book likely contains the detailed evidence Walton promises, but the excerpts leave those claims unsubstantiated. What is clear is his commitment to a life of sustained attention and his willingness to challenge accepted knowledge.
Walton's voice is that of a confident, sometimes combative amateur naturalist. His book rewards readers who enjoy following a single observer's reasoning over years of patient watching. The excerpts suggest that the most reliable pleasures may be in the descriptive passages—the old road, the wild apples, the spring flowers—rather than in the more sensational claims. Approach the text as a period piece of American nature writing, shaped by its author's isolation and his desire to prove that a hermit can see what scientists miss.
There was something about Walton’s chickadees counting their hidden seeds that made me think of an old British field guide, the way it lingered on a robin’s quiet stubbornness. Animal life of the British Isles — Reading Notes feels like that same unhurried patience, a hand resting on a gate, watching. I miss that kind of trust in small things.
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