About 277 minutes
Kings in Exile — Text and Context
Animals
63,520 recorded words. 10 minutes difference from this book's estimate.
View Gutenberg source #28530The source record for Animal life of the British Isles — Reading Notes measures this digital text at 65,865 words, 4 hr 47 min estimated reading time, and 11 detected text sections.
The text analysis averages about 20.7 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Animals -- Great Britain,” connecting these edition facts with the source record’s subject description.
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About 277 minutes
Animals
63,520 recorded words. 10 minutes difference from this book's estimate.
View Gutenberg source #28530About 303 minutes
Animals
69,467 recorded words. 16 minutes difference from this book's estimate.
View Gutenberg source #55255About 306 minutes
Animals
70,245 recorded words. 19 minutes difference from this book's estimate.
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Edward Step's Animal Life of the British Isles (1921) is a pocket guide to the mammals, reptiles, and batrachians of wayside and woodland, part of the Wayside and Woodland Series. The book is notable for its 111 photographic plates, 48 in colour by W. J. Stokoe, and contributions from several naturalist photographers. Step's preface explains that the smaller number of species covered allows a fuller consideration of each, and birds are excluded as they are treated in companion volumes by Mr. Coward. The work focuses on terrestrial animals with a bony framework, deliberately omitting marine mammals.
The book's subtitle—A Pocket Guide to the Mammals, Reptiles and Batrachians of Wayside and Woodland—accurately reflects its contents. Step organizes species by dietary and ecological groups: insect-eaters (mole, shrews, hedgehog), flying mammals (bats), flesh-eaters (fox, badger, otter, weasels, martens, wild cat), and gnawing animals (rabbit, hares, dormouse, voles, mice, rats). Each account includes physical description, behaviour, habitat, and often historical notes. For example, the Black Rat is described as having a "long, pointed snout" that "projects far beyond the short lower jaw" and "glossy blue-black fur" with a "good sprinkling of grey." Step also notes the rat's cleanliness: "they take the greatest of care to maintain their own cleanliness and a spruce appearance." The Brown Rat is discussed with reference to its alternative names—Norway Rat and Hanoverian Rat—and Step cites Pennant to show the inappropriateness of the first, as the species is unknown in Scandinavia.
The book's 111 plates are a collaborative effort: Douglas English contributed the most photographs, followed by Oxley Grabham, Riley Fortune, Charles Reid, Stanley C. Johnson, E. W. Taylor, and Step himself. The 48 colour plates are credited to W. J. Stokoe's skilful work. The frontispiece shows a hedgehog preparing to attack a grass snake. Plates are referenced in the text—for instance, Plate 62 depicts the Black Rat, and Plate 63 shows a Brown Rat's nest with a litter of eight. These images serve as visual evidence for the descriptions, reinforcing the guide's practical aim of identification. The inclusion of multiple photographers suggests a deliberate effort to present varied and accurate depictions of live animals in natural settings.
Step occasionally embeds historical observations into his species accounts. For the Black Rat, he notes that it "reached Ireland in the twelfth century, if not earlier" and expresses regret at its possible extirpation by the more "pushful" Brown Rat, which has "superior size and ferocity." He recounts an anecdote from a professional rat-catcher told to Frank Buckland: after a successful haul, all Black Rats placed in a cage with Brown Rats had disappeared by morning. Step also describes subspecies like the Alexandrine Rat and the Tree or Roof Rat, which are frequently introduced via shipping. The Brown Rat's entry into England is tied to the Hanoverian name, though Step questions its accuracy. These details show Step's effort to combine natural history with cultural and historical context, making the guide more than a mere catalogue.
Readers should note that the excerpts cover only a portion of the book's contents, primarily the rat section. The full work includes accounts of many other species, each likely treated with similar descriptive precision. The photographic plates are integral to the guide's purpose, so consulting them alongside the text will enhance understanding. Step's reliance on multiple photographers and his own field observations gives the book a collaborative, empirical character that rewards careful reading.
Step’s little volume has long felt like a patient friend, its quiet notes on badgers and shrews inviting me to simply watch the hedgerow. In that spirit, I often find myself turning to A year at the shore — Reading Notes, where the same unhurried attention meets the tide’s rhythm, two gentle companions on the same shelf of patient seeing.
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