Anecdotes of Big Cats and Other Beasts — Text and Context
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That was how to rule circumstances by obeying them, as a seaman steering through the storm may be said to rule the waves. There are some occupations that allow more room for somnolence than others. Like the seaman afloat and the soldier in war, the man who is hunting big cats can ill afford to be caught napping. The consequences are apt to be sudden. It is a terrible thing to wake up from a nap with nothing to do but die.
Whether you are hunting thieves or tigers, you proceed by good guessing based on knowledge. There is no real difference between what is pompously called scientific reasoning and plain common-sense, as Huxley has elaborately shown. Thieves and tigers have their habits, like all living things, and need to eat to live. One of the commonest successful ways of coming to close quarters with "Mr Stripes" is to go to where he has been killing lately, and lie in ambush. If you persevere in doing that in the usual way, you are sure to meet the tiger in the long run; and perhaps, as happened to this writer in Burma, you may enjoy the pleasure of making his acquaintance with startling suddenness the very first time you try. So it is well to be ready for anything, lest you have a disagreeable experience, like three men in the Assam forests, whose adventure is worth telling, as a warning to beginners. The present writer heard it from Major Shaw (6th Gurkhas), in whom he has complete confidence. Of course it was in Assam that Major Shaw heard of it. For obvious reasons, no other names than his are given; and no superfluous details.
There is a public rest-house in the Assam woods, which was visited by a hungry tiger not many years ago. The caretaker (or "dirwan") was there at the time, but nobody else. The tiger took him away, and ate him.
Exactly how it was done remained unknown, as is usual in such cases. The men who are eaten by beasts of prey are generally like the crews of ships that never arrive, but remain for ever "missing." Not once in a thousand times can even the bones be found, and nothing was discovered in this instance, but nobody doubted what had happened. Nevertheless, a successor was soon installed in the dead man's place. The tiger called again; and once more the post became vacant, and a public servant was mysteriously "missing."
The caretaker of a rest-house, like the humble postman, is one of the few officials who appear to the non-official world to justify their existence. If it had been a forester or a policeman, a judge or a soldier, people would have shrugged their shoulders and said, "So much the worse for him." In the glad excitement of filling the vacancy, his colleagues would have forgotten him, and only his relatives, perhaps, if they had cause, lamented. But the caretakers of rest-houses are not luxuries but necessaries; and when either a second or a third man (Major Shaw could not recollect whether three caretakers or only two) had in this way disappeared into the hideous darkness that dimly veiled a hungry tiger, and there was a likelihood that travellers might be inconvenienced by the post remaining vacant, three men of public spirit arose and took their rifles, and went together to spend a night in the tiger-haunted bungalow, and give Mr Stripes a warm reception when he next came to call.
The oddest detail in the account of their preparations is that they fixed bayonets. The veranda was level with the floor of the building, apparently, and not far above the ground. It was reached from outside by a flight of steps, and ran along the front, with the doors of the rooms opening upon it. That was where the three men placed themselves, when they had finished dinner and arranged everything, fixed bayonets and all. They closed the doors, and supposed they were invisible, for the gleam of the lamplight was then restricted to the back and the side-windows. In front was only darkness visible. As they lay in wait there, the one in the middle would be where the caretaker was accustomed to lie, opposite the top of the stairs.
David Wilson opens his 1910 collection with a chapter titled "Three Men Together," immediately establishing a tone that is both anecdotal and reflective. The narrator recounts an encounter between three officers and a leopard, emphasizing the animal's composure and the men's deference. Wilson writes that the leopard "moved down the steep slope into the depths of the glen, abandoning all hope of well-fed British beef," a line that captures his tendency to attribute intention and dignity to the beasts he describes. The episode is framed as a true story, with the narrator noting that he heard it from one of the participants, yet he withholds names, remarking that "the leopard did not know the names himself." This blend of reportage and wry commentary sets the pattern for the chapters that follow.
The Narrator's Voice and Perspective
Wilson's narrative voice is distinctive: he presents himself as a collector of true stories, often from unnamed sources, and he interjects with literary quotations and philosophical asides. In the opening chapter, he quotes Shakespeare and Pope, and later he references Burns. He also makes clear his admiration for felines, stating that "nothing can give us the born dignity of the feline fellows." This perspective shapes the anecdotes, which frequently highlight the intelligence or nobility of big cats. At the same time, Wilson is not above humor: after describing the leopard's standoff, he concludes with "Bravo, Mr Spots!!!" The reader should note that Wilson's voice is as much a character in the book as the animals themselves.
Structure and Thematic Grouping
The table of contents reveals a deliberate structure. Early chapters focus on tigers and leopards, often with dramatic titles like "The Wonderful Escape of 'Tiger-Hill'" and "The Girl and the Tigress." Later sections broaden to include buffalo, crocodiles, snakes, and even a "Kitten's Catch." The final chapters are extended narratives: "Charlie Darwin, or the Lady-Gibbon" and "The Brief Biography of a Little Bear." This progression from big cats to other beasts suggests a widening scope, but the excerpts show that Wilson's interest in feline dignity persists throughout. The book is not a systematic natural history but a series of loosely connected tales, each introduced by a chapter heading that often hints at the story's tone—"The Leopard that Needed a Dentist" is as whimsical as it sounds.
Recurring Motifs: Dignity, Deference, and the Wild
Several motifs recur across the excerpts. One is the idea that wild animals, especially big cats, possess a natural dignity that humans lack. In "Three Men Together," the leopard is described as having "born dignity," and the officers defer to it in a way they would not to a "British lord." Another motif is the contrast between civilized and primitive perspectives. In "A Dumb Appeal put into Words," Wilson discusses the Griffin as a symbol, arguing that to understand such mythical beasts one must "stoop to the mental level of wild backwoodsmen." He suggests that fear of feline predators shapes human imagination. These motifs give the collection a thematic coherence beyond the individual anecdotes.
Literary and Philosophical Allusions
Wilson frequently embeds quotations from poets and philosophers, using them to underscore his observations. The epigraph to the book is a stanza about stories and songs, and the opening chapter quotes Shakespeare's "So runs the world away" and Pope's "Hope springs eternal." Later, he cites Burns and refers to Aristotle. These allusions are not mere decoration; they serve to elevate the anecdotes from simple hunting tales to reflections on human nature and the natural world. Wilson also engages in mild satire, as when he compares the deference shown to a leopard to that which might be shown to a "British lord" or "Italian pope." Readers familiar with the quoted works will find additional layers of meaning.
Wilson's collection rewards readers who enjoy a narrator with a distinct personality and a willingness to digress. The excerpts suggest that the book is best approached not as a continuous narrative but as a series of standalone pieces, each with its own flavor. Pay attention to the chapter titles, which often signal the tone—some are dramatic, others humorous. And keep in mind that Wilson's sympathies lie firmly with the beasts, especially the big cats, whom he portrays as more dignified than the men who hunt them.
That rainy afternoon, I kept returning to Wilson’s quiet marvel at how a beast’s dignity outlasts a hunter’s boast. The thunder softened, and I found myself reaching for The House in the Water: A Book of Animal Stories — Text and Context, whose currents seemed to carry the same unhurried patience, only deeper downstream.
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